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Spirited Illustrations

Gallery of Works

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Illustration Gallery

Editorial Illustration Work

Illustration of Baltimore's Rawlings Conservatory koi pond. Closer to the viewer, four koi fish swim up out of the water and through the air. A waterfall trickles in the background. Lush foliage with a variety of plants intertwining with themselves. In the distance, sunlight filters through the conservatory's glass walls, and large plants hang down from the ceiling. The text reads "Visit Baltimore's Garden", and at the bottom of the image, a caption reads "Howard Peters Rawlings Conservatory & Botanical Gardens: 3100 Swann Drive Baltimore MD 21217".

A vertical image telling the story of a cat, Sif, and a dog, Bam, who find love with one another, and then, flung apart on faraway journeys, find their way back to one another. They navigate pink and purple cliffs, plateaus, and ravines, eventually creating a heart-shaped den underground with buried fossils and gemstones. In the distance, a waterfall, mountains, and an orange-pink sky.

Three illustrated portraits, side by side. On the left, the portrait is purple and raspberry pink. In the center, the portrait arches into hot orange and pink. On the right, soft oranges and a sunrise glow. The model is wearing a shirt that says "dodie", and the signature says "N. Boyarsky".

An illustration of a crow spreading its wings over a green and purple flame emerging from a bubbling cauldron. The hand lettered text reads "One Last Ghoul's Night". Melted candles, a black cat, and ominous stained glass windows loom overhead. A purple atmosphere surrounds the piece.

4 arching tablet shapes painted in blue, red, and gold, depict the Goldem figure of Jewish myth, with the word "אמת" inscribed upon it. On one side, bloodied hands reach up at towards the Golem's truth. On the other side, a striking blue dove spreads its wings, flying towards the Golem, and blood rains down behind it. Pomegranates cluster over its head. Beneath the golem, words are painted in gold: "אנחנו נשים, אנחנו גברים, הן נשים, הם גברים"

Artist Amalie Rothschild, seated, painting her work "ripening oranges", featuring her iconic red-orange circles. The magic she creates with her work swirls around her in tangerine-orange and hot pink. Her works can be seen all around her. She is looking at the viewer.

A group of figures engage with one another in a luscious Dionysian garden. Some lounge on or crawl across a red couch, some dance, all of them touch one another. Some of the garden's foliage have heart-shaped leaves. In the background, one lone figure stands beneath two aging marble columns, looking on, alone. All of the figures are pomegranate people-- pomegranate red and each with a calyx atop their heads.

A dramatic scene in a fantasy city. Two figures in the foreground; one reaches towards the other, but can't reach, as the other leaps off of a railing towards a silhouetted third figure in the distance. The first figure is a living tree. Her limbs are made of wood and her hair is made of leaves. The second is human, but wears clothing constructed from plants. A dappled canopy of trees casts a shadow overhead, mottling the pink sunset on the horizon.

Illustration with text that reads "53rd annual maryland sheep & wool festival!" and "may 2-3, 2026 / featured breed: Scottish Blackface". Sheep dance around the text into a purple and magenta sky full of twinkling stars. Each of the sheep wears a knitted item, and each item connects to a ball of yarn which sits in the crescent of the moon.

An illustrated movie poster for Children of Men (2006). The text reads "Children of Men" and three sets of five stars at the bottom of the poster imply positive reviews. The film's star, Clare-Hope Ashitey, is in the center, cradled protectively by Clive Owen. Soldiers watch on, praying and crying. Smoke rises in the distance.

An unsettling and carnal horror art piece depicting a devilish goat, three hooded Flemish women with long pale hair, likely to be witches, and similar to the witches from Shakespeare's Macbeth. A man on his knees experiences something excruciating and demonic. Meat and bloody wine fills the air.

In a ghostly, perhaps purgatorial liminal space, a lone featureless human figure is seated. Illustration featuring only white and grey. Around a corner, stairs ascend into a beaming white doorway. It is unclear whether, from where the figure is seated, they can see the stairs or the door, but they likely see the light.

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